Their American cousins tended to be serious or at least take for granted that everything was about to be made of glass and ashes by the Great, and set out to find out what humanity would do with it. And few genres were a pure play of madness and color like the post-apocalyptic Italian films that filled the shelves of video stores from Montana to Missouri. Few genres encapsulate the excesses and anxieties of the 70s and 80s better than post-apocalyptic films. Castellari, a director of movies with such amazing titles as “Any Gun Can Play” and “Kill Them All and Come Back Alone”. To understand where exactly “Fury Road” came from, it helps to know a man named Enzo G. It’s a thrilling and over-the-top spectacle, in the mind of 70-year-old Australian director George Miller. “Mad Max: Fury Road” exploded onto screens this weekend in plumes of cherry red and saffron yellow smoke, with swarms of chalk-dusted bodies coiling on monstrous vehicles the color of dried blood.
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